Wednesday, 10 February 2010
Costumes Planned
Storyboard
Our storyboard was produced immediately after analyzing our script, giving us extra meaning to our film and characters by using a variety of shots which would later come up in our opening sequence, this also gave us the outline plan of what we should do with the camera. The reason that a clear storyboard was so important was because this was our main plan, without this we would be confused of where we should start and what we should start with, so this was actually helping us throughout our filming period.
The Script For Our Opening Sequence
Script for 2MORROW
EXT - on a bridge, cold wet rainy day
ELS - Slowly panning towards the left of the urban surroundings and the grey estates.
EXT - on a bridge during day time
CLOSE UP- Lamppost during day time while the camera is zooming in.
EXT - on a bridge during night time
CLOSE UP – the camera zooming outwards
EXT - on a cold winters day at night
WS- multiple jump cuts of urban areas in London
EXT - day time, outside in a car park
MS – of the car making an entrance through the car park and parking up
INT – in a car on a cold winter’s day
Two shot- The characters Shifty (In the drivers seat) and Thomas (in the passenger seat), discussing the next job for the boss.
SHIFTY
Remember what the big man said, if you flop, we’re in deep shit
EXT - Daytime In car park on a cold winter’s day
MS- of Igor walking out of the car and closing the car door.
EXT- Bright sunny day
CLOSE UP- of Shifty locking his car door, smoking a cigarette and walking towards a gang of youths which are enemies with his best friend Thomas.
EXT- Bright Sunny day
MS- of One of the characters, going towards Shifty and punching him in the face. Afterwards they run round the corner and clear off.
EXT- Night, Outside in an urban area
MS- Mid shot of Thomas going in a phone-booth answering a call from the boss. After an extreme long shot of Igor listening to the boss speak on the phone then replying
Shifty
Yeah hello, it’s me, so what is the pick up
EXT- outside, Night, Cold winters day with lights of the urban surrounding
PANNING SHOT- the surrounding area of the block of flats. A focus pull is used as dialogue is said by Thomas
Thomas
Here I am, the city of London, just been here for four months and yet I’ve experienced violence, drugs, sex, gangs, ha.... man I love London
INT- in an estate, on a normal day
Shot of “Thomas” coming out of the lift, camera going from bottom to the top.
INT – inside an estate building
Mid Shot - “shifty” Coming down the stairs and approaching “Thomas”.
Close Up Shot – “Thomas” Handing over some sort of weapon to “shifty”.
EXT – Outside during the day
Close Up - the character “O.B” is talking over the phone looking and sounding very paranoid.
O.B
Oi Fam I’m Paro, I Think I’m Gonna Get Set Up Man, I Don’t Know Bruv
EXT – Outside during the Day
Mid Shot - Thomas and shifty walking around looking for O.B the camera is from Thomas perspective.
Shifty
Oi Thomas That’s the Breh Bruv, That’s The Breh
Ext – Outside – Day
Long Shot – Of O.B looking scared and Thomas and shifty approaching him, he looks scared as they approach him to beat him up.
Panning – From O.B’s Point of view, Thomas and shifty running towards him and Thomas swings at him with the metal weapon.
EXT - on a bridge, cold wet rainy day
ELS - Slowly panning towards the left of the urban surroundings and the grey estates.
EXT - on a bridge during day time
CLOSE UP- Lamppost during day time while the camera is zooming in.
EXT - on a bridge during night time
CLOSE UP – the camera zooming outwards
EXT - on a cold winters day at night
WS- multiple jump cuts of urban areas in London
EXT - day time, outside in a car park
MS – of the car making an entrance through the car park and parking up
INT – in a car on a cold winter’s day
Two shot- The characters Shifty (In the drivers seat) and Thomas (in the passenger seat), discussing the next job for the boss.
SHIFTY
Remember what the big man said, if you flop, we’re in deep shit
EXT - Daytime In car park on a cold winter’s day
MS- of Igor walking out of the car and closing the car door.
EXT- Bright sunny day
CLOSE UP- of Shifty locking his car door, smoking a cigarette and walking towards a gang of youths which are enemies with his best friend Thomas.
EXT- Bright Sunny day
MS- of One of the characters, going towards Shifty and punching him in the face. Afterwards they run round the corner and clear off.
EXT- Night, Outside in an urban area
MS- Mid shot of Thomas going in a phone-booth answering a call from the boss. After an extreme long shot of Igor listening to the boss speak on the phone then replying
Shifty
Yeah hello, it’s me, so what is the pick up
EXT- outside, Night, Cold winters day with lights of the urban surrounding
PANNING SHOT- the surrounding area of the block of flats. A focus pull is used as dialogue is said by Thomas
Thomas
Here I am, the city of London, just been here for four months and yet I’ve experienced violence, drugs, sex, gangs, ha.... man I love London
INT- in an estate, on a normal day
Shot of “Thomas” coming out of the lift, camera going from bottom to the top.
INT – inside an estate building
Mid Shot - “shifty” Coming down the stairs and approaching “Thomas”.
Close Up Shot – “Thomas” Handing over some sort of weapon to “shifty”.
EXT – Outside during the day
Close Up - the character “O.B” is talking over the phone looking and sounding very paranoid.
O.B
Oi Fam I’m Paro, I Think I’m Gonna Get Set Up Man, I Don’t Know Bruv
EXT – Outside during the Day
Mid Shot - Thomas and shifty walking around looking for O.B the camera is from Thomas perspective.
Shifty
Oi Thomas That’s the Breh Bruv, That’s The Breh
Ext – Outside – Day
Long Shot – Of O.B looking scared and Thomas and shifty approaching him, he looks scared as they approach him to beat him up.
Panning – From O.B’s Point of view, Thomas and shifty running towards him and Thomas swings at him with the metal weapon.
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